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Keeping the horse in front of the leg

This article is from the November 2019 Horse Deals magazine.

Robbie starts her schooling session with some gentle bending and suppling exercises. Photo: Julie Wilson.

Robbie starts her schooling session with some gentle bending and suppling exercises. Photo: Julie Wilson.

Despite her youth, Robbie has been on the equestrian radar for many years winning in the show ring as well as the dressage arena.

Under the influence of her mother, the successful rider, breeder and coach, Ali Soster, the principle of Robali Equestrian, Robbie started riding as a four-year-old. She first became noticed in the international dressage arena riding, Robali Irish Cream, a horse that was given in lieu of a debt. With Robali Razzamatazz that she trained to Grand Prix, Robbie was declared Champion Lady Rider at both the Grand Nationals and the EA National titles. But it is dressage that is Robbie’s competitive passion and she has already established herself as one of the pre-eminent stars of Australian dressage, a feat helped along by a few fact find missions to Europe. She and husband, David operate McKinnon Sporthorses at Bowral in NSW.

“Corinne Watkins’ Silmarillion has been State and National Elementary Champion and has been very successful with Robbie at Medium/Advanced level,” explains David. “But whatever the level you need to keep polishing the basic 1, 2, 3 every day, especially with a cold horse. A cold horse will turn up pretty cold every day, but they quickly learn to get on with the job. Silmarillion is normal, neither hot nor lazy and he knows the 1, 2, 3 very well. Sometimes in a pirouette, we will take our legs off and dare him to stop cantering, to check the training. But we will also help him in a pirouette too, but when we help him in any movement, we only help him lightly and use a little touch with the spur and he knows that means business. He will know that beyond that, something will come if he doesn’t react.”

Silmarillion is normally neither hot nor lazy so happily trots forward in a nice frame. Photo: Julie Wilson

Silmarillion is normally neither hot nor lazy so happily trots forward in a nice frame. Photo: Julie Wilson

Robbie prepares for a pirouette, she gently asks the horse to move from her leg. The number one thing is that the horse knows when that little bit of leg comes on, something is coming afterwards and they have to react to that. Photo: Julie Wilson

Robbie prepares for a pirouette, she gently asks the horse to move from her leg. The number one thing is that the horse knows when that little bit of leg comes on, something is coming afterwards and they have to react to that. Photo: Julie Wilson

After riding a couple of pirouettes Robbie asks Silmarillion to move forward to get the impulsion/collection back into the canter.

After riding a couple of pirouettes Robbie asks Silmarillion to move forward to get the impulsion/collection back into the canter.

Robbie does not school with a whip, but one is available on the sidelines if she thinks it will help with a training exercise, but as you cannot compete at the higher levels with a whip, the horse must learn to go without one at home.

“Unless the horse is in front of your leg you can’t ask it to keep going, do a pirouette on the centre line, a flying change and another pirouette” continues David. “It is almost impossible to keep it going. The horse has to know that if it stops it gets a kick and if it keeps cantering, it gets left alone. So when we ride a pirouette all we should need to think about is ride travers, turn the shoulders and the horse keeps going.”

0 - Legs off the horse.  Photo: Julie Wilson

0 - Legs off the horse. Photo: Julie Wilson

1 - Light calf pressure. Photo: Julie Wilson.

1 - Light calf pressure. Photo: Julie Wilson.

2 - Calf pressure and touch of spur. Photo: Julie Wilson

2 - Calf pressure and touch of spur. Photo: Julie Wilson

3 - Sending the horse forward. Photo Julie Wilson

3 - Sending the horse forward. Photo Julie Wilson

“When you go up the levels as you continue to train the horse, you do use a little leg and throughout your training you use leg. But the number one thing is that the horse knows when that little bit of leg comes on, something is coming afterwards and they have to react to that.

“Robbie and Silmarillion are training everything towards Grand Prix, so his daily routine is a matter of looking at every little part of what he does. He does a little passage and piaffe, more and more changes. He is the sort of horse that if you did kick him every stride, he would quickly become a lazy horse. To get him through a Grand Prix test and to make it look easy, he really needs to be in front of the leg.”

Robbie and Silmarillion are training towards Grand Prix, so his daily routine is a matter of looking at every little part of what he does. Here Silmarillion happily jumps through some flying changes.

Robbie and Silmarillion are training towards Grand Prix, so his daily routine is a matter of looking at every little part of what he does. Here Silmarillion happily jumps through some flying changes.

During this flying change it is easy to see how balanced and stable Robbie is in the saddle and how her leg is not kicking. “He is the sort of horse that if you did kick him every stride, he would quickly become a lazy horse.” Photo: Julie Wilson

During this flying change it is easy to see how balanced and stable Robbie is in the saddle and how her leg is not kicking. “He is the sort of horse that if you did kick him every stride, he would quickly become a lazy horse.” Photo: Julie Wilson

Robbie and David work well together and the mutual encouragement and an extra pair of eyes is a great help. Silmarillion looked to be going very well, but David kept getting Robbie to test the horse. Sit really still and use less leg. And if the horse dropped behind the leg, David insisted that it be corrected immediately and taken out of its comfort zone for a few seconds. The consequence of this was a more active and collected horse. The horse did not become stressed at all, but responded well to the timely reminder. “The 1, 2, 3 training method has to be reinforced throughout a horse’s career,” says David.

Fine Tuning - Even as you move up the grades you need to keep polishing the basic 1, 2, 3 every day. Here Robbie applies the 2 button. Photo: Julie Wilson.

Fine Tuning - Even as you move up the grades you need to keep polishing the basic 1, 2, 3 every day. Here Robbie applies the 2 button. Photo: Julie Wilson.

Fine Tuning - With not enough response from the number 2 button Robbie uses her spur for a number 3 button and a much better reaction. Photo: Julie Wilson

Fine Tuning - With not enough response from the number 2 button Robbie uses her spur for a number 3 button and a much better reaction. Photo: Julie Wilson

When asked to go forward Silmarillion is expected to really go, Robbie alters her position, softening her hand to allow him to really open up the canter. Photo: Julie Wilson

When asked to go forward Silmarillion is expected to really go, Robbie alters her position, softening her hand to allow him to really open up the canter. Photo: Julie Wilson

Here Robbie has created a lovely collected canter and now her leg is off the horse but she loses no activity from Silmarillion. Photo: Julie Wilson

Here Robbie has created a lovely collected canter and now her leg is off the horse but she loses no activity from Silmarillion. Photo: Julie Wilson

“People might read the article this month and last month and think it is all very well for Robbie and me because we are sitting on some lovely, purpose-bred horses and the horse they have is so lazy there is no way they can get it in front of the leg. That is so untrue, as you can make the laziest horse go from a light aid as long as you are really clear with the 1, 2, 3 and as soon as it goes forward you have to leave it alone. Leaving it alone is just as much a training aid as applying the leg. You must give the horse a reason to want to go forward.”

Robbie does not over work any exercise. Silmarillion is asked for an exercise and if he does it well she moves onto something else and then may come back for a refresher. Here Silmarillion is asked for a few steps of passage. Photo: Julie Wilson

Robbie does not over work any exercise. Silmarillion is asked for an exercise and if he does it well she moves onto something else and then may come back for a refresher. Here Silmarillion is asked for a few steps of passage. Photo: Julie Wilson

Here Robbie and Silmarillion display a lovely collected trot with a soft contact and soft leg. It all looks easy. “To get him through a Grand Prix test and to make it look easy, he really needs to be in front of the leg.” Photo: Julie Wilson

Here Robbie and Silmarillion display a lovely collected trot with a soft contact and soft leg. It all looks easy. “To get him through a Grand Prix test and to make it look easy, he really needs to be in front of the leg.” Photo: Julie Wilson

Robbie finishes the training session with a relaxed walk. During the ride Robbie rode all of the Grand Prix movements but at times only asking for a few strides at a time. At no time did Silmarillion get upset or stressed as he is just working with a training program that was implemented at his first ride, 1, 2, 3. Photo: Julie Wilson

Robbie finishes the training session with a relaxed walk. During the ride Robbie rode all of the Grand Prix movements but at times only asking for a few strides at a time. At no time did Silmarillion get upset or stressed as he is just working with a training program that was implemented at his first ride, 1, 2, 3. Photo: Julie Wilson

Article written by Anna Sharply.


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